This is the third newsletter in a series that describes the process of Seishindo MindBody Coaching. I am offering this series as a way to support you in being a “change agent” to others who need help. If you have yet to read the first two articles in this series, please go here.
In the last newsletter I said that I wanted to find the most artful way to talk about the process of coaching others, and I asked for some advice. Thanks to those of you who wrote! Your wisdom is very much appreciated. Taking the advice offered, in this newsletter I am going to “talk” to you as if I was taking you through a session with me.
Once again, please let me know what you think about the process, and please offer me feedback!
For those of you fairly new to my writing and style…
The process I describe below, I would only engage in once my client and I had a good comfortable feeling for each other. I would only be suggesting any of what follows if my client was happy to explore such a process with me.
2. Life as art–A description of Seishindo MindBody Coaching- Part 3
As we begin today, I would like to borrow a concept from Self-relations Therapy, and invite you to use each and every event and experience you encounter, to awaken to the goodness and gifts of the self, the world, and the connections between the two.
So rather than slipping into a place of dismay and frustration because you feel stuck, you can take the role of my client, and imagine you are in the midst of creating a movie about your life. You can consider yourself to be the lead character in this movie, the director, and even the composer of the sound track that will eventually be selling as a CD!
As you begin to approach your challenge as an artist would begin a new project… Slow down and notice the finer points that will lead to creating something heartfelt and poignant. As you begin to try out the lines of your script, speak in a way that allows your words to resonate and fill the space we are in. I encourage you to imagine we are sitting in a theater that has great acoustics. The only audience being just the two of us. I invite you to imagine this theater as a safe environment that is much bigger than your perceived problem. At some point in this process you will begin to hear the difference between when your voice is held back and constrained, and when your voice is resonant, clear, and filled with spirit. When you voice is held back and constrained, the same will be true for your creativity and problem solving skills. When you voice is resonant solutions will start to become more apparent.
Next, attune to the rhythm of your words, as you listen for and feel how your expression reverberates both within you and out into the space around us, both logically and emotionally. I gently encourage you to breathe, relax, and “speak your soliloquy with a calm presence”. I will move with you as a way to better feel the cadence of your words. Then after a short while, please slow down the tempo and simplify what you are expressing. Say and do “just enough”. Less will get you more.
Little by little, as you slow down and simplify, you will begin to move closer to your solution. Little by little, as I get in rhythm with you, you will begin to realize you are not alone in this world. As we build a sense of harmony and trust between us, I will likely offer you some accompanying lines, to enrich your script.
Now is a good time to modulate the outpouring of your energy, and to lessen the intensity of your presentation. I am suggesting that you stay within a certain threshold of expression, so you can keep your whole self engaged, and not feel overwhelmed. This will allow you to tap into resources that are outside of your everyday awareness. The idea is to get energized by the challenges you face, rather than contracting, and tensing your muscles and your thinking mind. You will be able to recruit and utilize more and more of yourself, as you educate and retune your nervous system over time.
At this point I also want to invite you to notice “negative space”. The space between and around the main topic of your conversation.
In photography, negative space is the area which surrounds the main subject in a photo, with the main subject being considered as “positive space”. Negative space defines and emphasizes the main subject as part of a larger whole. It provides “breathing room” and allows for a more balanced perspective. Negative space gives your eyes somewhere to rest and prevents your subject from appearing overly large or out of proportion. Notice how you can change your reaction to your challenge, as you place it in a spacious setting. (See the photos below.)
Here is a close-up picture of a bug with almost no background (very little negative space)
Below is a picture of the same bug, with lots of background (negative space).
Which picture do you prefer?
Even though it is the same bug, does it appear at all different in the two photos?
Photos: Ruben Alexander
At this point you have once again accomplished a lot. So now it is time to rest. You can begin to have a sense of how important it is to express your challenge in an artful manner. Realizing that the way in which you perceive, conceive, and express your challenge very much changes your sense of what is possible. Please, don’t make your challenge any bigger than it needs to be!